Dispatches from the festival frontlines.
‘Fuck you!’ the excellent Alex Eddington yells from the stage – and we’re laughin’. This is TJ Dawe’s Tired Clichés, one of those shows that still make the Fringe an event worth sampling, despite the festival’s own efforts to undo itself. A guy spinning stories about the birth of the Methodist church?! Gimme a break! This is no theatre, this is Sunday service. Let’s hope the venerable festival shakes off this madness. Back to the play. Practically no reviewer has ever understood what it is – a superbly wrought, scathing and witty satire on modern capitalism and its inhumane and dehumanizing mechanisms. Outwardly, it is an elegantly convoluted tale of a young graduate working for minimum wage. The beginning seems wacky, yet bit by bit everything falls into place: vomiting cats, vulgarisms, bicycles, and all. The narrative pulls no punches, is cruelly funny and Eddington gives a virtuoso performance.
Four out of five stars.
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