Billing itself as “comedy”, Social Sundays employs caricature and farce to show the search for passion and the meaning of life as a competition sport with a deadly twist.

To be genuinely funny, farcical characters need consistency and focus. However, opening night performances were uneven. Some roles –Roman (Joe Vanderhelm), the artist - were underplayed, some – like  the foppish designer Dante (Jessie McPhee) - were over the top.During the final scenes, central characters shed costumes to get down to basics (underwear). Instead of revealing “the truth” this tactic reveals more lies and confusion. We’re left with more questions than “answers”: